Category Archives: Exhibition

Deutsche Börse Photography Foundation Prize 2017

Featuring works from Dana Lixenberg, Sophie Calle, Awoiska van der Molen, Taiyo Onorato and Nico Krebs

Exhibition on view: November 16, 2017–January 11, 2018
Opening reception: Wednesday, November 15, 7:00–8:30 p.m.

Aperture Foundation, in collaboration with The Photographers’ Gallery and the Deutsche Börse Photography Foundation, is pleased to present the Deutsche Börse Photography Foundation Prize 2017, featuring works from the shortlisted artists: Sophie Calle, Awoiska van der Molen, duo Taiyo Onorato and Nico Krebs, and this year’s winner, Dana Lixenberg, who was awarded the prize, worth £30,000 GBP, in May of this year. This marks the first exhibition of the prize in the United States.

The twentieth iteration of the prize, one of the most prestigious international arts awards, celebrates established photographic narratives alongside experimental and conceptual approaches to documentary, landscape, and portraiture. The four finalists investigate questions of truth and fiction, doubt and certainty, what constitutes the real and ideal, and the relationship between observer and the observed.

The opening of this exhibition at The Photographers’ Gallery in London, began an international tour of the show that went on to exhibit at the Museum für Moderne Kunst Frankfurt am Main, and subsequently at Aperture Foundation, marking the first exhibition in the United States of this prize. This year’s exhibition is curated by Anna Dannemann, Curator, The Photographer’s Gallery.



Featured Artists

Dana Lixenberg (b. 1964, the Netherlands) won for her publication Imperial Courts (Roma, 2015). In 1992, Dana Lixenberg traveled to South Central Los Angeles for a magazine story on the riots that erupted following the verdict in the Rodney King trial. What she encountered inspired her to revisit the area, and led her to the community of the Imperial Courts housing project in Watts. Returning countless times over the following twenty-two years, Lixenberg gradually created a collaborative portrait of the changing face of this community. Over the years, some in the community were killed, while others disappeared or went to jail, and others, once children in early photographs, grew up and had children of their own. In this way, Imperial Courts constitutes a complex and evocative record of the passage of time in an underserved community.


Sophie Calle (b. 1953, France) was nominated for her publication My All (Actes Sud, 2016), which finds the artist experimenting with yet another medium: the postcard set. Taking stock of her entire oeuvre, this set of postcards functions as a beautiful portfolio of Calle’s work, as well as a new investigation of it, in an appropriately nomadic format. Over the past thirty years, Sophie Calle has invited strangers to sleep in her bed, followed a man through the streets of Paris to Venice, hired a detective to spy on her before providing a report of her day, and asked blind people to tell her about the final image they remember. In her practice, she has orchestrated small moments of life, establishing a game, then setting its rules for herself and for others.

Calle’s Exquisite Pain is an installation in two parts that unfolds stories of devastating personal experiences as a means of reexamining and, ultimately, exorcising grief. The first part of the project presents Calle’s journey preceding “the unhappiest moment of [her] whole life,” told through collected photos and ephemera of ninety-two days that the artist saw as a countdown to romantic rejection. Each photograph or document is stamped with a number indicating the remaining amount of “days until unhappiness.” The second part of the exhibition pairs Calle’s story, told repeatedly from several different angles, with others’ recollections of their own pain and heartache. Through recursive recitation and empathy, the project explores the universality of pain and resilience.


Awoiska van der Molen (b. 1972, the Netherlands) was nominated for her exhibition Blanco at Foam, Amsterdam (January 22–April 3, 2016). Van der Molen creates black-and-white, abstracted images that revitalize the genre of landscape photography. Spending long periods of time in solitude and silence in foreign landscapes, from Japan to Norway to Crete, she explores the identity of the place, allowing it to impress upon her its specific emotional and physical qualities and her personal experience within it. With this intuitive approach, Van der Molen aims to find a pure form of representing her surroundings, by focusing on the essential elements in and around her. Her work questions how natural and man-made environments are commonly represented and interacted with.


Taiyo Onorato and Nico Krebs (both b. 1979, Switzerland) were nominated for their exhibition EURASIA at Fotomuseum Winterthur (October 24, 2015–March 14, 2016). EURASIA playfully draws on the iconography of the road trip, constructing experiences drawn from memory and imagination. Onorato and Krebs’s journey begins in Switzerland, continues through the Ukraine, Georgia, Azerbaijan, Turkmenistan, Uzbekistan, Kazakhstan, and Russia, and ends in Mongolia. Throughout their travels the duo encounters landscapes and people in a state of ongoing transition from ancient traditions and post-Communist structures to modernity and the formation of an independent identity. Using a mix of analogue media and techniques including 16 mm films, large-format plate cameras, and installation-based interventions, Onorato and Krebs compose a narrative that is as much fiction as documentation.

 


About the Deutsche Börse Photography Foundation Prize

Founded in 1997 by The Photographers’ Gallery, and now in its twentieth year, the Prize has become one of the most prestigious international arts awards and has launched and established the careers of many photographers over the years. The Gallery has been collaborating with Deutsche Börse Group as title sponsors since 2005. In 2015 the Prize was retitled as the Deutsche Börse Photography Foundation Prize following the establishment of the foundation as a non- profit organization dedicated to the collection, exhibition and promotion of contemporary photography. Past winners include Trevor Paglen, Paul Graham, Juergen Teller, Rineke Dijkstra, Richard Billingham, John Stezaker, and Adam Broomberg and Oliver Chanarin. A jury including Susan Bright, curator; Pieter Hugo, artist; Karolina Ziębińska-Lewandowska, curator of photography at Centre Pompidou, Paris; Anne-Marie Beckmann, director, Deutsche Börse Photography Foundation; and Brett Rogers, director, The Photographers’ Gallery, as the non-voting chair, selected the four finalists featured in 2017.

The Deutsche Börse Photography Foundation is a Frankfurt-based non-profit organization. The foundation’s activities focus on collecting, exhibiting and promoting contemporary photography.
For more information, please visit www.deutscheboersephotographyfoundation.org.


The Photographers’ Gallery opened in 1971 in Great Newport Street, London, as the UK’s first independent gallery devoted to photography. It was the first public gallery in the UK to exhibit many key names in international photography.
For more information, please visit www.thephotographersgallery.org.uk 


Aperture Foundation was created in 1952 by photographers and writers. The not-for-profit foundation, connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other — in print, in person, and online.
For more information, please visit aperture.org.


This story was also published on Medium

Art Through the Lens 2017 – The Yeiser Art Center | Eliot Dudik – Juror

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Art Through the Lens 2017

Dates: October 14 – November 25, 2017
Reception: Friday October 13th from 5-7pm  

The Yeiser Art Center (YAC) is pleased to be hosting the annual international juried photography arts competition, Art Through the Lens. Originating in 1975 as the Paducah Summer Festival Photo Competition, Paducah Photo has grown from a fledgling contest into an international juried exhibition. Over the past 40 years, this exhibition has become one of the Mid-South’s most prestigious annual photographic events. To honor its history, the exhibition now exists in two parts: the International Show which features the juror’s selection and the Regional Showcase chosen by second juror.

“It was my great pleasure to be this year’s juror for the Art Through the Lens exhibition at the Yeiser Art Center,” said Eliot Dudik. “The first juried exhibition I applied to and was selected for was Paducah Photo 2009, which I believe was the older version of Art Through the Lens, so this exhibition means a lot to me as it was a springboard of sorts for my own work. Jurying an art exhibition is no easy task, especially one with 621 exceptional entries. There were certainly photographs that didn’t ultimately make the cut that I had a very difficult time letting go. Selecting images for an exhibition is by no means black & white. We all have our own tastes and interests. My interests in photography are quite broad, as are my interests in music, film, and literature, which made the selection process for this lens-based art exhibition even more difficult. I do, however, have a tendency toward material and process, experimentation, risk, ideas, nuance, and heart. I believe the selections made for the 2017 Art Through the Lens exhibition carry all of these things, and I hope you’ll enjoy interacting with them as I did.”

This year’s opening reception will be held on Friday October 13th from 5-7pm, and will include light refreshments and the announcement of awards. The reception is free and open to the public. After the reception, there will be a $5 admission to see the exhibition. Proceeds support the Yeiser Art Center’s mission to bring exceptional arts educational programming to Paducah. YAC Members and guests under 13 years of age always enter free of charge. 


Located in downtown Paducah, the Yeiser Art Center is a non-profit visual arts organization celebrating sixty years (1957 – 2017) of serving the community through exhibitions and education throughout the Tri-State Region. The Yeiser Art Center is wheelchair accessible.   

Hours of Operation:
Tuesday – Saturday, 10 a.m. – 5 p.m.
Admission: $5 for non members, YAC members and children under 13 free.
For questions, please email the YAC at office@theyeiser.org or call 270-442-2453.  Visit theyeiser.org for more info on upcoming events.

Nicolò Sertorio – Once We Were Here

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Filter Photo is pleased to announce Once We Were Here, a solo exhibition of work by Nicolò Sertorio, at Filter Space gallery.

Nicolò Sertorio considers himself privileged: white, male, educated, healthy, living in the Western world. He is, however, admittedly part of a ‘disenchanted generation’ born after WWII when globalization seemed like a great idea, a path towards unification, only to be awakened to a hard reality of inequality and environmental abuse. Contemporary media is filled with alarming news: ice melting, fresh water contamination, overpopulation, corporate greed, food poisoning, oil dependency, and wealth inequality, among other things. It seems the world has lost its mystery to become the playground of the very few at the expense of the many. Nicolò Sertorio’s photographs address the resulting sense of powerlessness that has left communities disenfranchised, resulting in a lack of social or environmental accountability.

Presented as a hypothetical archeological study on the nature of co-existence, Sertorio’s series, Once We Were Here, presents the viewer with a world where humanity’s need for insatiable consumption has led it to the ultimate consumption: the consumption of the self. We are shown a world where the selfishness of humanity has disappeared yet nature remains in its solemnness. Nature has endured and overcome the weight of humanity’s selfish behaviors and we are reunited with nature’s beauty and mystery.

http://filterphoto.org/portfolio/once-we-were-here/

Nicolò Sertorio is an artist based in Oakland, CA (born in Italy). He grew up influenced by both European and American culture in a family with a long tradition in academia, arts, and science. This multicultural and scientific upbringing influenced him to be both analytical and explorative.  Traveling extensively and living in many countries from an early age has left him with a unique combination of European sensibility and complex, and at times conflicting, worldviews.

Once We Were Here
Nicolò Sertorio
Exhibition Dates: November 3 – November 25, 2017
Opening Reception: November 3 | 6pm – 9pm
Location: Filter Space 1821 W. Hubbard St., Ste. 207, Chicago, IL 60622
Gallery Hours: Monday – Saturday | 11am – 5pm

Filter Space is free and open to the public.

Filter Photo Festival 2017 Opens in Chicago

 

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Filter Photo Festival – opening night exhibition at Fogelson Studio

The 2017 Filter Photo Festival kicked off on Thursday, September 21st. The events continue through Sunday, September 24th; with workshops, portfolio reviews, artist talks and exhibitions all coordinated throughout the four days of the festival.

The festival includes a number of events and talks that are free and open to the public at several locations in the loop area and local galleries. The full schedule is available at Filter Photo’s site: http://filterphoto.org/filter-festival/

Thursday’s events were capped off with exhibition openings. Filter Photo held its first Members’ Exhibition, Prime.  Juror, Kat Kiernan, Director of Panopticon Gallery and Editor-in-Chief of Don’t Take Pictures magazine, chose five artists for an installation at Fogelson Studio.  All of the submitted work can be seen in the online exhibition, which represents the quality and breadth of work being produced by Filter Photo Members.

we like small things install shot
‘we like small things’ at Filter Space Gallery

Juror, Jennifer Keats, Director of The Donut Shop, chose a compelling assortment of small works for the show at Filter Space Gallery, we like small things. Keats invited 30 artists who created the small and unique works in we like small things, each motivated to create artwork of the highest standards both in its materiality and its meaning. The history of photographic prints and the attitude toward their size has been an ever-changing one. People have much more cognitive over-load than ever before, and that can take a toll. In a world in which viewers are increasingly assaulted with imagery, artworks in small scales allow us a sense of control, a space to retreat, when we are able to fit it into the palm of our hands.

The third exhibit opening was Deception. The show’s juror, Brian Paul Clamp, Director, ClampArt, wrote this about the exhibition, “Deception and deceit typically are perceived as dark and ominous. But one can also fall victim to less treacherous duplicity—trickery more playful in nature. My inclusions in the exhibition include both formal and conceptual deceptions. And while some of the strong work in the show naturally might feel sinister and at times even frightening, there is an equal amount of lighthearted mischievousness and fun—representing balance and parity rather than a single-sided interpretation of the theme”.

Milee Tibbs-Deception show
From ‘Mount Analogue’ series by Millee Tibbs

Events continue throughout the weekend – For more information about the Filter Photo Festival, including schedule of events, workshops, portfolio review sessions, and contact information – please visit the Filter Photo website: www.filterphoto.org

127 Film Photography Day — Call for Entries

127 Film Photography will feature 127-format photographs made on July 12, 2017 in a special exhibition. You’re invited to participate.

No fees, no competition, just a friendly virtual community joining together to make 127-format photos on July 12, 2017.

How to enter and show your work:

  1. Take 127-format photographs on July 12, 2017.
  2. Send one of those photographs to 127 Film Photography. Please email one jpg file, 500 pixels wide, to 127filmformat ~at~ gmail.com, by August 12, 2017.
  3. In the subject line of your email, type “July 2017 127 Day.”
  4. In the body of the email, please include the copyright symbol, your name, the title of the photograph, location, camera and film types, and your website address (or other link to your work). In that order. Please follow this example:

© J. M. Golding, Out of nowhere, northern California, USA, Kodak Brownie Fiesta, ReraPan, http://www.jmgolding.com

17-005-010-edited
© J.M. Golding

More details are at http://127film.blogspot.com/2017/06/summer-127-day-is-coming.html

Photo Exhibition Explores the Way Disruption Impacts Our Lives

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Now through June 11th, the curated exhibition, Disruption is being held at The Factory in Long Island City, Queens, NY.

Each distinguished artist was selected based on work developed independently, for an extended period of time. Each artist uses documentary directness, humor, pathos and poetry in their images. Separately, they address the connective topics of lives interrupted, lives cut short, lives spent separated from family, their own cultural identity and of quiet personal sacrifices made every day. They bring the perspective of being outsiders, as well as insiders to the world we live in and sometimes struggle to understand and come to terms with.

The international group of artists chosen for Disruption are Verónica Cárdenas, Kris Graves, Griselda San Martín, G.D. McClintock, and Orestes González.

The Factory
4th floor
30-30 47 Avenue
Long Island City, Queens, NY

www.disruptiontheexhibit.com

Through The Wall
© Griselda San Martin
triple wedding
© G.D. McClintock from the series Triple Wedding
michael brown
The Murder of Michael Brown © Kris Graves
disqualified
Disqualified, Qualified Girls © Orestes González
castile
The Murder of Philando Castile © Kris Graves
trump
© Verónica Cárdenas

 

Here and Now: Street Portraits of Londoners by Niall McDiarmid

The photo exhibition, Here and Now, is now open at the Museum of London. It runs through till October 15th. The work of London based photographer Niall McDiarmid will be mounted in the Rotunda space outside the museum and is open all day and night. It features 34 large scale prints from across the capital shot over the past 6 years.

Brushfield Street, London — April 2012 © Niall McDiarmid

Two of McDiarmid’s long-term projects, Crossing Paths: A Portrait of Britain, and Via Vauxhall, were published in book format; in addition to publishing the work online in dedicated websites. Both projects are series of portraits made by McDiarmid in his encounters with people throughout the UK over the past six years or so, and specifically for Via Vauxhall in the area surrounding the Vauxhall neighborhood of London. “Individually these photos represent the moment that we crossed paths, but collectively they represent my portrait of London — a confident city, a city of the future, a city I call home.”

From Via Vauxhall © Niall McDiarmid
McDiarmid’s photographic style can be described as ‘straight’, ‘documentary’ or even ‘street photography’. But make no mistake, McDiarmid’s stylistic approach often plays upon subtle use of color or pattern that is never arbitrary; it functions in highly sophisticated ways to connect elements and patterns in his subject’s clothing with their surroundings. In this manner, the people in his portraits are woven into the scene they occupy — an integral part of their surroundings.
Surrey Street, Croydon – January 2016 © Niall McDiarmid
For more info on the exhibit, see the site for Museum of London. To see more of Niall McDiarmid’s work, please visit his website. To read an in-depth interview with McDiarmid, see this article in Vantage, Niall McDiarmid Captures the Faces of our Times

ECHOLILIA by Timothy Archibald – Artist Talk at Fort Wayne Museum of Art, April 8th at 10 am

17424841_10155068208997356_6715294596662139966_nECHOLILIA is an eleven-image curation from a larger body of work, a collaboration between photographer Timothy Archibald and his eldest son, Eli. Taken at their home in El Sobrante, California, these primarily unstaged images intimately narrate a tense but respectful artistic and personal relationship between father and child, when the two are learning to understand the meaning of autism and importance of awareness.

Acquired by the Fort Wayne Museum of Art in 2017, Timothy’s affecting and technically impressive photographic prints visualize a poignant message that is applicable to humanity as a whole: The indispensability of empathy when regarding the human condition allows us to understand that idiosyncrasies exist among us all. 

This exhibit is presented along with Sharon and Expressions of Existence, forming a triad of exhibitions exploring the impact of disability on the creation of art. They are made possible by the AWS Foundation.

Join us for an artist talk and tour with the creators of the ECHOLILIA photographs, Timothy Archibald, and his son Eli. Sign language interpreter will be present. Free with museum admission.

Fort Wayne Museum of Art, Fort Wayne, Indiana – http://www.fwmoa.org

To see more work by Timothy Archibald, visit his website: http://www.timothyarchibald.com

Art & Oppression: PhotoSummer Exhibit Opportunity @ CENTER

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ART & OPPRESSION

CENTER and the Santa Fe University of Art & Design’s Marion Center for Photographic Arts will host an exhibition and discussion on the theme of Art & Oppression to kick off PhotoSummer’s 2017 events. We invite you to submit your images and participate in the upcoming events surrounding photography’s important role in activism and advocacy.

The exhibition will open at the Marion Center for Photographic Arts on Friday, June 9, 2017 from 5-7pm and continue through September 15, 2017. Stay tuned for more information about the panel discussion exploring the topic on June 10, 2017.

SUBMIT YOUR WORK

The call opens on March 17 and all applications are due by April 16. Accepted submissions will be notified by April 21, 2017. Free for CENTER Members and $25 entry fee for non-members. Click here to learn more and to apply.

CENTER MEMBERSHIP

Previous members and non-members are encouraged to take advantage of this exhibition opportunity and the many other CENTER member benefits we offer throughout the year. For information on memberships and to sign up, please visit our Membership page.