Cig Harvey’s third monograph is a vibrant and bold book, capturing moments of awe, icons of the everyday, and life on the threshold between magic and disaster. The breathless moments of beauty in her images propel us to fathom the sacred in the split-seconds of everyday. A raw awareness of fragility permeates this work.
I cannot fully understand the life events that take a woman through her youth and into middle age. However, I am a parent, a husband, and am squarely in middle age. My wife is a writer, and has introduced me to a number of poets. This expansion of my previously limited knowledge of great writers has made an immense difference – and thus, Harvey’s book spoke to me. The rawness of Harvey’s written passages and relevance to where she finds herself in life struck home. But you don’t need to be a peer of Harvey to get the drift. She photographs and writes with the passion of a Beat poet. To quote, and slightly edit, the poet Neal Cassady, “One should write, as nearly as possible, as if she were the first person on earth and was humbly and sincerely putting on paper that which she saw and experienced and loved and lost; what her passing thoughts were and her sorrows and desires.” Harvey does not hold back – with understated power, she records her broad experiences with the world. Harvey’s moments captured in her camera speak to the temporal nature of life, and her intimate poetry weaves them together in this memoir of symbolism.
“In my 20s I wear vintage dresses every day. / 1940s ball gowns to get coffee. Fringed flappers to the post office. / They are itchy and smell of someone else’s transgressions. But I am fearless and my life is a photograph. / When I turn forty, I retire them all in favor of tight jeans and high boots. / I put one thousand dresses in a room upstairs. / A room now a galaxy of velvet, taffeta, crinoline, lavender, silk, fur, cashmere, magenta, chartreuse, and moths like stars in the night sky. / I like the idea of the moths taking back the clothes of these women, slowly making dust of our stories.”
Cig Harvey’s hugely successful books You Look At Me Like An Emergency (2012) and Gardening At Night (2015) both sold out rapidly. Her photographs have been exhibited widely and are in the permanent collections of major museums, including The Museum of Fine Arts, Houston, and the International Museum of Photography, George Eastman House, Rochester, NY. She has been a nominee for John Gutmann fellowship and the Santa Fe Prize, and a finalist for the BMW Prize at Paris Photo and for the Prix Virginia, an international photography prize for women. You Look At Me Like An Emergency was first exhibited at The Stenersen Museum, Oslo, Norway. Cig’s devotion to visual storytelling has lead to innovative international campaigns and features with New York Magazine, Harper’s Bazaar Japan, Kate Spade, and Bloomingdales.
Design: Deb Wood
ISBN 978 90 5330 893 6
Format: 22.5 x 22.5 cm
Hardbound with cloth cover
144 pages with 72 photos in full colour
Schilt Publishing, Amsterdam
To order a copy of the book from the publisher, please visit their website here.